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Jessica (Leah Pipes), Claire (Jamie Chung), and Chugs (Margo Harshman) initially defend their Theta bestie by pranking Chugs’ brother Garrett (Matt O’Leary) because he’s a terrible boyfriend to Meghan (atop countless other frat-pest offenses). Unfortunately, Meghan’s fake-out overdose ends in actual death when Garrett plunges a tire iron into the sorority hottie’s supposed corpse. Cassidy (Briana Evigan) insists the Theta’s phone an ambulance, but Jessica demands guilty parties take the secret to their graves lest their post-graduate years be spent in prison. Everyone holds the information until graduation day, when a threatening picture message and the appearance of Meghan’s sister causes Theta Ellie’s (Rumer Willis) wits to crumble — then bodies start hitting the floor. Mark Rosman’s position as Executive Producer on Sorority Row doesn’t mean there’s a preciousness about following The House on Sorority Row like a blueprint.
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Before attending NYU, he was part of a fraternity at UCLA, and he based his concept on his college experiences. Rosman’s script focused on sorority sisters being threatened after a prank gone wrong but were more than just victims. After gathering a budget of $300,000, Rosman started casting in New York and Los Angeles before filming began in 1981. The movie was shot on location in and around Pikesville and the University of Maryland, though the production struggled financially. After principal photography wrapped, Film Ventures International picked the film up for distribution and gave additional funds for post-production. Richard Band, who later scored Re-Animator and Puppet Master, composed the score with the London Philharmonic Orchestra.
Bama Rush goes bananas! Moment over 2,000 University of Alabama students sprint to their new homes in Tuscaloo - Daily Mail
Bama Rush goes bananas! Moment over 2,000 University of Alabama students sprint to their new homes in Tuscaloo.
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Following a limited 1982 release, The House on Sorority Row hit theaters nationwide in 1983. Sorority Row is a sinfully entertaining remake about drunkards, fornication, and the unspeakable horrors of upper-class white America. Tremendous strides are taken to separate the more familiar hunt-and-gut Sorority Row from Mark Rosman’s vastly more complicated The House on Sorority Row, as cattiness becomes a calling card that makes Mean Girls look like Kindergarten Yo Momma. Scummy pools are swapped for overheating hot tubs, a very House Of Wax (2005) finale goes up in flames, and there’s no grand reveal of bodies despite the chilling image of sunken souls in The House on Sorority Row that remains seared into my memories. What’s most interesting is that each version appears to be from different film scans.
Casting
It was actually Ryan Gosling who convinced the director to tackle the more commercially viable Drive first, as he wanted to cement his partnership with the filmmaker in a more traditional movie before tackling a deeply strange project. This would pay off during the production of Only God Forgives, as the filmmaking duo was forced to use their notoriety to scrounge up money at a Thai film festival when local authorities began demanding bribes in order to allow shooting to continue. The House on Sorority Row is a 1983 Slasher Movie and one of many released in the wake of other popular Slasher Movies like Halloween, Friday the 13th and A Nightmare on Elm Street.
In comparison to other living options in Westwood, Greek life can be a bargain. Not only that, but the characters’ overall lack of moral principles makes this story even more disturbing, with the main antagonist being the closest thing to a decent person among the main cast despite also being a brutal vigilante. If you can stomach the deliberate pacing, you’ll likely be fascinated by this stylish nightmare about morally questionable people becoming trapped in a needless cycle of violence and retaliation. Not only is the photography impeccable, turning the rain-slicked streets of Bangkok into a neo-noir playground, but the bizarre characters and performances also help to make this an undeniably memorable movie.
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The opening montage quickly gives way to the end of the school year as were introduced to seven sorority sisters – Katey, Vicki, Liz, Jeanie, Diane, Morgan, and Stevie. The film borrows elements from “Black Christmas” (1974) and the French horror “Diabolique” (1955), like the unused swimming pool to conceal a body that later disappears. The first act is quite good, particularly the accidental death scene, which is well-acted for no-name actresses. Diane goes to an outlying garage to start the van to transport Slater's body, but is murdered by the killer, who soon after decapitates Jeanie. Meanwhile, after finding Diane missing, Vicki and Liz drive to the cemetery without her to bury Slater's body.
Stewart Hendler leans into the pettiness and dysfunction of Greek life traditions, from slut-shaming to scathing disses about physical appearance. Sorority Row has no filter (positively and negatively), which leads to hilarious moments as Pipes accentuates the shallow mercilessness of Jessica when making jokes about Meghan’s death. She’s the Vicki replacement and performs well beyond her comparison because Sorority Row lets its Theta Pi sweeties act like frat bros would in any other reductive slasher about collegiate stereotypes. The men of Sorority Row are all sharks sniffing blood from HR nightmare in training Mickey (Maxx Hennard) to horny psychiatrist Dr. Rosenburg (Ken Bolden) — and they’re handled by the killer’s pimped-out mechanic’s weapon. Stolberg and Goldfinger lay an exploitative foundation that skewers disturbing fraternal behaviors a decade before 2019’s Black Christmas would do the same, even if their methods can be a bit abrasive in the name of authenticity. Without having the Scorpion disc at my disposal, I can’t tell you if this MVD presentation is a marked improvement.
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The House on Sorority Row asserts Vicki (Eileen Davidson) as the coverup mastermind so that we can sympathize more with her sorority accomplices. Sorority Row implicates everyone immediately — in the latter, we’re rooting for deaths from the shocking roofies-and-voyeurism prank introduction. Looking for retaliation, Vicki and her friends pull off a prank on Mrs. Slater that goes disastrously wrong, resulting in an accidental death. Thinking of her future, Vicki stupidly believes covering up the death makes more sense than reporting it. The wild graduation party proceeds forward in full swing as the sorority sisters start getting killed off by a mysterious figure dressed up in a clown costume. Sometimes you want to watch Grade-A trash get every fatal stab, blunt force trauma, and punctured artery they deserve.
Going by everything I know, the theatrical presentation doesn’t look great or even good, while the alternate version may actually be sourced from the excellent 2018 Scorpion work. Some of UCLA’s Greek-letter organizations maintain their own private housing adjacent to campus. The average capacity for a fraternity house is 40 students, average capacity for a sorority house is 50 students. Fraternity and sorority housing is generally available the second year of membership and members are encouraged to live in the facility for at least one year. From realistic maimings to brutal fist fights that feel more painful than thrilling, the “action” label on this flick seems downright questionable when the majority of the experience has you wincing at genuinely scary acts of grisly violence.
Stevie goes into the basement to disable the breaker, where she is accosted and stabbed to death by the killer. Later, the pool lights are turned on, much to the girls' alarm, but Slater's body is nowhere to be found. Refn originally came up with the idea for Only God Forgives immediately after completing 2009’s Valhalla Rising and becoming confused by feelings of anger and existential dread during his wife’s second pregnancy.
It was moderately successful when it was released and is now a cult classic among fans of the genre. More disappointing is the mono audio on the alternate director’s version, heard in lossy Dolby Digital. It lacks the presence and punch found in the PCM audio heard on the other version. The House On Sorority Row has maintained its popularity over the decades as a cult favorite in the slasher genre thanks to a lively cast and the fine direction from Mark Rosman. There’s peer pressure, there’s social acclimatization, there’s the freshman 15, there’s the daily grind of keeping one’s grades in check to maintain that almighty scholarship, and then there’s the relationships. The social bond that’s created can be a lasting and spiritually satisfying affinity, but the bond can go so deep that it’ll eventually turn collegiate relations sour and crazy.
